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<title>History Dissertations</title>
<copyright>Copyright (c) 2013 Georgia State University All rights reserved.</copyright>
<link>http://digitalarchive.gsu.edu/history_diss</link>
<description>Recent documents in History Dissertations</description>
<language>en-us</language>
<lastBuildDate>Mon, 06 May 2013 08:20:39 PDT</lastBuildDate>
<ttl>3600</ttl>








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<title>The National Guard, the National Board for the Promotion of Rifle Practice, and the National Rifle Association: Public Institutions and the Rise of a Lobby for Private Gun Ownership</title>
<link>http://digitalarchive.gsu.edu/history_diss/33</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/33</guid>
<pubDate>Thu, 25 Apr 2013 07:45:33 PDT</pubDate>
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	<p>Today, the strength of the National Rifle Association (NRA) is understood by the general public and many scholars to be dependent on the Second Amendment of the U.S. Constitution, the right of individuals to own firearms. This dissertation challenges that understanding by focusing on three organizations, the NRA, the National Guard and the National Board for the Promotion of Rifle Practice (NBPRP). While each organization appears in today's world to be distinct and independent, this dissertation reveals how they garnered strength from a symbiotic relationship. The NRA was founded in 1871, originally as a marksmanship organization. The National Guard, which grew from the nation's militia, was formally established in the early twentieth century. The NBPRP was a small organization that was established in 1903 within the War Department at the encouragement of the NRA.</p>
<p>Following passage in 1903 of legislation bringing state militia units under federal control, the newly formed National Guard became dependent on the NRA, which in turn leveraged that dependence to create a nationwide grassroots organization. The NBPRP was headed by the Assistant Secretary of War until 1916 when the position of the Director of Civilian Marksmanship was created, to be held by a U.S. Army or U.S. Marine Corps officer. The NRA acted as the surrogate of the NBPRB outside of the halls of government. At the same time, the NBRPB provided the NRA with a voice within those same halls that aided in the development of federal policy and budget positions related to firearms acquisition, competition, and training.</p>
<p>The purpose of this dissertation is to reveal how the NRA was able to employ these two organizations to develop an exceptionally powerful grassroots organization that today is recognized as one of the most powerful special interest groups in America. Understanding how this powerful organization grew offers one perspective of how the bureaucracy that has been developed to support America's federal system of government is uniquely susceptible to special interest influence.</p>

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<author>Jeffrey A. Marlin</author>


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<title>The Life of A Reputation: The Public Memory of Ulysses S. Grant</title>
<link>http://digitalarchive.gsu.edu/history_diss/32</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/32</guid>
<pubDate>Mon, 26 Nov 2012 08:05:37 PST</pubDate>
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	<p>At the time of his death in 1885, Ulysses S. Grant was widely regarded by his contemporaries as one of the great Americans of his age. Along with George Washington and Abraham Lincoln, his name was frequently included among the most accomplished heroes of the then still-young republic. Both nationally and internationally Grant was widely regarded as one of the world’s great military leaders. He was elected to the presidency of theUnited Statesduring one of the most divisive epochs in American history and won a decisive electoral victory to earn a second term. In his final years he embarked on a comprehensive world tour to great personal acclaim as well as the acknowledgement of this nation’s ascendancy as a world power. And literally hours before his death, he completed a literary work that stands today as one of the finest pieces of writing in American military history.</p>
<p>Yet today, the remembrance of U.S. Grant bears little resemblance to the one he enjoyed among his contemporaries. As noted in a recent biography of Grant, his reputation has fallen into “disrepair.” In current popular memory, mention of Grant’s name frequently invokes images of a drunk, a failed and corrupt presidency, and a “butcher” who gained victory inAmerica’s great Civil War only as a result of superior resources and manpower.</p>
<p>The intent of this study is to examine the evolution of Grant’s reputation from the American Civil War to recent times. It is intended to tell the story the storytellers told about Grant and how his reputation developed and was forged in popular memory. During his lifetime, this will include the study of a multitude of sources including newspaper accounts, political cartoons, diaries, and letters that reflected prevailing thought about Grant. In the years since his death, research will focus on those numerous factors that shape reputation. These will include delving into historical scholarship, literature, changing cultural nuances, political influences, and the wide range of popular entertainment vehicles so important in shaping public remembrance, to conclude with the suggestion that Grant’s reputation has been miscast in this nation’s popular memory.</p>

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<author>Richard G. Mannion</author>


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<title>Halting White Flight: Atlanta&apos;s Second Civil Rights Movement</title>
<link>http://digitalarchive.gsu.edu/history_diss/31</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/31</guid>
<pubDate>Fri, 16 Nov 2012 11:15:34 PST</pubDate>
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	<p>Focusing on the city of Atlanta from 1972 to 2012, <em>Halting White Flight</em> explores the neighborhood-based movement to halt white flight from the city’s public schools. While the current historiography traces the origins of modern conservatism to white families’ abandonment of the public schools and the city following court-ordered desegregation, this dissertation presents a different narrative of white flight. As thousands of white families fled the city for the suburbs and private schools, a small, core group of white mothers, who were southerners returning from college or more often migrants to the South, founded three organizations in the late seventies: the Northside Atlanta Parents for Public Schools, the Council of Intown Neighborhoods and Schools, and Atlanta Parents and Public Linked for Education. By linking their commitment to integration and vision of public education to the future economic growth and revitalization of the city’s neighborhoods, these mothers organized campaigns that transformed three generations’ understanding of race and community and developed an entirely new type of community activism.</p>

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<author>Elizabeth E. Henry</author>


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<title>Forging the Civil Rights Frontier: How Truman&apos;s Committee Set the Liberal Agenda for Reform 1947-1965</title>
<link>http://digitalarchive.gsu.edu/history_diss/30</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/30</guid>
<pubDate>Tue, 17 Apr 2012 12:07:49 PDT</pubDate>
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	<p>At the close of 1946, a year marked by domestic white-on-black violence, Harry S. Truman, in a dramatic move, established the President’s Committee on Civil Rights (PCCR). Five years before, his predecessor Franklin D. Roosevelt had formed the Fair Employment Practices Committee (FEPC), under pressure from civil rights groups mobilized against racial discrimination in the defense industry. The FEPC was the first major federal civil rights legislation since Reconstruction. However, when race riots later erupted in cities across the country in 1943, Roosevelt ignored his staff's recommendation to appoint a national race relations committee. Instead, he agreed to a “maypole” committee, which was, in actuality, a decentralized network of individuals, including Philleo Nash, whose purpose was to anticipate and diffuse urban racial tensions in order to avert further race riots. Superficially, Truman's PCCR seemed to resemble Roosevelt's rather conservative race relations strategy of appointing a committee rather than taking direct action under the authority of the federal government. But, as this project will argue, Truman's PCCR represented a major, historical change in the approach to civil rights that would have a profound effect on activists, such as Dorothy Tilly and Frank Porter Graham, and the movement itself. Where FDR's committees were created to avoid further racial confrontations, Truman’s committee invited and ignited controversy. Its groundbreaking report, <em>To Secure These Rights (TSTR)</em>, unequivocally declared the federal government as the guardian of all Americans’ civil rights. In essence, Truman’s PCCR elevated the civil rights dialogue to a national level by recasting the civil rights issue as an American problem rather than just a black-American problem. Moreover, <em>TSTR</em> attacked segregation directly, and challenged the federal government to take the lead by immediately desegregating the armed services. These radical recommendations came only six years after a reluctant FDR formed the FEPC and six and one-half years before the Unites States’ Supreme Court’s landmark ruling, <em>Brown v. the Board of Education of Topeka, Kansas</em> and the ensuing backlash. Thus, Truman’s PCCR and <em>TSTR</em>, in 1947, forged a new “civil rights frontier.”</p>

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<author>Edith S. Riehm</author>


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<title>The African-American Emigration Movement in Georgia during Reconstruction</title>
<link>http://digitalarchive.gsu.edu/history_diss/29</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/29</guid>
<pubDate>Tue, 29 Nov 2011 07:42:30 PST</pubDate>
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	<p>This dissertation is a narrative history about nearly 800 newly freed black Georgians who sought freedom beyond the borders of the Unites States by emigrating to Liberia during the years of 1866 and 1868. This work fulfills three overarching goals. First, I demonstrate that during the wake of Reconstruction, newly freed persons’ interest in returning to Africa did not die with the Civil War. Second, I identify and analyze the motivations of blacks seeking autonomy in Africa. Third, I tell the stories and challenges of those black Georgians who chose emigration as the means to civil and political freedom in the face of white opposition. In understanding the motives of black Georgians who emigrated to Liberia, I analyze correspondence from black and white Georgians and the white leaders of the American Colonization Society and letters from Liberia settlers to black friends and families in the Unites States. These letters can be found within the American Colonization Society Papers correspondence files and some letters reprinted in the ACS’s monthly periodical, the <em>African Repository</em>.</p>
<p>To date, no single work has been published on the historical significance of black Georgians who emigrated to Liberia during Reconstruction. What my research uncovers is that that 31 percent of the 3,184 passengers transported to West Africa by the American Colonization Society from 1865 to 1877 were Georgians, thereby making Georgia, the leading states to produce the highest numbers of blacks to resettle in Liberia and the logical focal point for the African-American emigration movement during Reconstruction.</p>

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<author>Falechiondro Karcheik Sims-Alvarado</author>


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<title>Reconciling Memory: Landscapes, Commemorations, and Enduring Conflicts of the U.S.-Dakota War of 1862</title>
<link>http://digitalarchive.gsu.edu/history_diss/28</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/28</guid>
<pubDate>Tue, 22 Nov 2011 10:14:53 PST</pubDate>
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	<p>The U.S.-Dakota War of 1862 resulted in the deaths of more than 500 Minnesota settlers, the expulsion of the Dakota people from their homeland, and the largest mass execution in U.S. history. For more than a century, white Minnesotans declared themselves innocent victims of Indian brutality and actively remembered this war by erecting monuments, preserving historic landscapes, publishing first-person narratives, and hosting anniversary celebrations. However, as the centennial anniversary approached, new awareness for the sufferings of the Dakota both before and after the war prompted retellings of the traditional story that gave the status of victimhood to the Dakota as well as the white settlers. Despite these changes, the descendents of white settlers persisted in their version of events and resented the implication that the Dakota were justified in starting the war. In 1987, the governor of Minnesota declared “A Year of Reconciliation” to bring cultural awareness of the Dakota, acknowledge their sufferings, and reconcile the continued tense relationship between the state and the Dakota people. These efforts, while successful in now telling the Dakota side of the war at official historic institutions, did not achieve a reconciliation between native and non-native residents of the state. This study of the commemorative history of the U.S.-Dakota War of 1862 illustrates the impact this single event exhibited for the state of Minnesota and examines the continued tense relations between its native and non-native inhabitants.</p>

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<author>Julie A. Anderson</author>


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<title>The Apocalypse will be Televised: Representations of the Cold War on Network Television, 1976-1987</title>
<link>http://digitalarchive.gsu.edu/history_diss/27</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/27</guid>
<pubDate>Mon, 27 Jun 2011 09:33:39 PDT</pubDate>
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	<p>This dissertation examines how the major television networks, in conjunction with the Reagan administration, launched a lingering cloud of nuclear anxiety that helped to revive the Cold War during the 1980s. Placed within a larger political and cultural post-war context, this national preoccupation with a global show-down with the Soviet Union at times both hindered and bolstered Reagan’s image as the archetypal conservative, cowboy President that could free America from its liberal adolescent past now caustically referred to as “the sixties.” This stalwart image of Reagan, created and carefully managed by a number of highly-paid marketing executives, as one of the embodiment of peaceful deterrence, came under attack in the early 1980s when the “liberal” Nuclear Freeze movement showed signs of becoming politically threatening to the staunch conservative pledging to win the Cold War at any cost. And even if the nuclear freeze movement itself was not powerful enough to undergo the Herculean task of removing the President in 1984, the movement was compassionate enough to appeal to a mass audience, especially when framed in narrative form on network television. In the early 1980s, debates over the possibility of nuclear war and other pertinent Cold War related issues became much more democratized in their visibility on the network airwaves. However, the message disseminated from the networks was not placed in an educational framework, nor did these television productions clarify complicated nuclear issues such as nuclear winter theory and proliferation. I argue this renewed network attention on nuclear issues was not placed in an historical framework and likely confused American viewers because it routinely exposed audiences to both fact and fiction, undifferentiated at the level of the mass media.</p>

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<author>Aubrey Underwood</author>


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<title>Finding their Place in the World: Meiji Intellectuals and the Japanese Construction of an East-West Binary, 1868-1912</title>
<link>http://digitalarchive.gsu.edu/history_diss/26</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/26</guid>
<pubDate>Tue, 26 Apr 2011 12:32:20 PDT</pubDate>
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	<p>The Meiji era (1868-1912) in Japanese history was characterized by the extensive adoption of Western institutions, technology, and customs. The dramatic changes that took place caused the era’s intellectuals to ponder Japan's position within the larger global context. The East-West binary was a particularly important part of the discourse as the intellectuals analyzed and criticized the current state of affairs and offered their visions of Japan’s future. This dissertation examines five Meiji intellectuals who had very different orientations and agendas: Fukuzawa Yukichi, an influential philosopher and political theorist; Shimoda Utako, a pioneer of women's education; Uchimura Kanzō, a Christian leader; Okakura Kakuzō, an art critic; and Kōtoku Shūsui, a socialist. Also considered here are related concepts such as "civilization (bunmei)," "barbarism," and "imperialism." Close examination of the five intellectuals' use of the East-West binary reveals that, despite their varied goals, they all placed Japan as the leader of the Eastern<br />world. Collectively, Meiji intellectuals’ use of the East-West binary elevated both East and West, while largely deemphasizing the middle part of Eurasia and "South," such as Africa and South America.</p>

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<author>Masako N. Racel</author>


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<title>Nationalizing the Dead: The Contested Making of an American Commemorative Tradition from the Civil War to the Great War</title>
<link>http://digitalarchive.gsu.edu/history_diss/25</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/25</guid>
<pubDate>Fri, 22 Apr 2011 11:28:28 PDT</pubDate>
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	<p>In recent years, scholars have emphasized the importance of collective memory in the making of national identity.  Where does death fit into the collective memory of American identity, particularly in the economic and social chaos of the late nineteenth and early twentieth centuries?  How did death shape the collective memory of American national identity in the midst of a pluralism brought on by immigration, civil and labor rights, and a transforming culture?  On the one hand, the commemorations of public figures such as Ulysses S. Grant, William McKinley, and Theodore Roosevelt constructed an identity based on Anglo-Saxonism, American imperialism, and the “Strenuous Life.”  This was reflected in the burial of American soldiers of the Spanish American and Philippine American wars and the First World War.  On the other hand, the commemorations of soldiers and sailors from the Civil War, Spanish American War, and Great War created opportunities to both critique and appropriate definitions of national identity.  Through a series of case studies, my dissertation brings together cultural and political history to explore the (re)production and (trans)formation of American identity from the Civil War to the Great War.  I am particularly interested in the way people used funerals and monuments as tools to produce official and vernacular memory.   I argue that both official and vernacular forms of commemoration can help historians understand the social and political tensions of creating national identity in a burgeoning industrial and multicultural society.</p>

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<author>Shannon T. Bontrager Ph.D.</author>


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<title>Most Desperate People: The Genesis of Texas Exceptionalism</title>
<link>http://digitalarchive.gsu.edu/history_diss/24</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/24</guid>
<pubDate>Tue, 22 Feb 2011 06:20:20 PST</pubDate>
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	<p>Six different nations have claimed sovereignty over some or all of the current state of Texas.  In the early nineteenth century, Spain ruled Texas.  Then Mexico rebelled against Spain, and from 1821 to 1836 Texas was a Mexican province.  In 1836, Texas Anglo settlers rebelled against Mexican rule and established a separate republic.  The early Anglo settlers brought their form of civilization to a region that the Spanish had not been able to subdue for three centuries.  They defeated a professional army and eventually overwhelmed Native American tribes who wished to maintain their way of life without inference from intruding Anglo settlers. This history fostered a people who consider themselves capable of doing anything—an exceptional population imbued with a fierce sense of nationalistic and local rooted in the mythic memoirs of the first Anglo settlers.  The purpose of this study is to explore the origin and development of Texan exceptionalist beliefs.  The “taming of the Texas wilderness,” the Alamo, the defeat of Santa Anna at San Jacinto, the formation of a republic that earned recognition by major foreign powers, Stephen F. Austin, Davy Crockett, William Travis, are all elements in the great Texas myth.   From the letters and documents of the early settlers, the extensive papers of Stephen F. Austin, the war papers of the Texas Revolution, newspapers of the era, and other sources, it is apparent that the early Texas settler did not come to Texas for any altruistic purpose.  Texas provided a second chance for many who had been previously unsuccessful and an opportunity to gain riches from the extensive land bounty granted by the Mexican government. This research provides additional depth to a neglected part of Texas history.  Removing the mystique of the Texas legend reveals a far more colorful and complex period.  These early Texans were a complex, divided, greedy, racist people who changed the course of the United States and established a legend that has withstood the test of time.</p>

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<author>Michael G. Kelley</author>


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<title>The Path of Good Citizenship: Race, Nation, and Empire in United States Education, 1882-1924</title>
<link>http://digitalarchive.gsu.edu/history_diss/23</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/23</guid>
<pubDate>Wed, 15 Sep 2010 12:16:18 PDT</pubDate>
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	<p>The Path of Good Citizenship illuminates the role of public schools in attempts by white Americans to organize republican citizenship and labor along lines of race and ethnicity during a time of anxiety over immigration and the emergence of the U.S. as a global power. By considering U.S. schools as both national and imperial institutions, it presupposes that the formal education of children served as multilayered exchanges of power through which myriad actors constructed, debated, and contested parameters of citizenship and visions of belonging in the United States. Using the discursive narratives of American exceptionalism, scientific racialism, and patriotism, authors of school curricula imagined a uniform Americanness rooted in Anglo‐Saxon institutions and racial character. Schools not only became mechanisms of the U.S. imperial state in order to control belonging and access supposedly afforded by citizenship, but simultaneously created opportunities for foreigners and “foreigners within” to shape their own relationships with the nation.</p>
<p>Ideological attempts to construct a nation that excluded and included on the basis of race and foreignness had very real implications. Using comparative case studies of Atlanta’s African‐Americans, San Francisco’s Japanese, and New York’s European immigrants, this dissertation shows how policies of segregation, exclusion, and Americanization both complicated and sustained designs for a national body of citizens and workers. Schools trained many of these students for citizenship that included subordinate labor roles, limited social mobility, and marginalized national identity rooted in racial difference. These localized analysis reveal the contested power dynamics that involved challenges from immigrant and non‐white communities to a racial nationalism that often slotted them into subordinate economic and social categories. Taken together, curricula and policy reveal schools to be integral to the mutually sustaining projects of nation‐building and empire‐building.</p>

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<author>David Clifton Stratton</author>


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<title>Stand Up and Be Counted: The Black Athlete, Black Power and The 1968 Olympic Project for Human Rights</title>
<link>http://digitalarchive.gsu.edu/history_diss/22</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/22</guid>
<pubDate>Wed, 14 Jul 2010 12:10:56 PDT</pubDate>
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	<p>The dissertation examines the Olympic Project for Human Rights (OPHR), a Black Power attempt to build a black boycott of the 1968 US Olympic team that ultimately culminated in the infamous Black Power fists protest at the 1968 Olympics. The work challenges the historiography, which concludes that the OPHR was a failure because most black Olympic-caliber athletes participated in the 1968 games, by demonstrating that the foremost purpose of the OPHR was to raise public awareness of “institutionalized racism,” the accumulation of poverty and structural and cultural racism that continued to denigrate black life following landmark 1960s civil rights legislation. Additionally, the dissertation demonstrates that activist black athletes of the era were also protesting the lack of agency and discrimination traditionally forced upon blacks in integrated, yet white-controlled sports institutions. The dissertation argues that such movements for “dignity and humanity,” as progressive black activists of the 1960s termed it, were a significant component of the Black Power movement. The dissertation also examines the proliferation of the social belief that the accomplishments of blacks in white-controlled sports fostered black advancement and argues that the belief has origins in post-Reconstruction traditional black uplift ideology, which suggested that blacks who demonstrated “character” and “manliness” improved whites’ images of blacks, thus advancing the race. OPHR activists argued that the belief, axiomatic by 1968, was the foremost obstacle to attracting support for a black Olympic boycott. The manuscript concludes with a discussion of the competing meaning and representations of Smith and Carlos’s protest at the Olympics.</p>

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<author>Dexter L. Blackman</author>


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<title>From Countrypolitan to Neotraditional: Gender, Race, Class, and Region in Female Country Music, 1980-1989</title>
<link>http://digitalarchive.gsu.edu/history_diss/21</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/21</guid>
<pubDate>Wed, 14 Jul 2010 08:44:09 PDT</pubDate>
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	<p>During the 1980s, women in country music enjoyed unprecedented success in record sales, television, film, and on pop and country charts. For female performers, many of their achievements were due to their abilities to mold their images to mirror American norms and values, namely increasing political conservatism, the backlashes against feminism and the civil rights movement, celebrations of working and middle class life, and the rise of the South. This dissertation divides the 1980s into three distinct periods and then discusses the changing uses of gender, race, class, and region in female country music and links each to larger historical themes. It concludes that political and social conservatism influenced women’s country performances and personas. In this way, female country music is a social text that can be used to examine 1980s America.</p>

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<author>Dana C. Wiggins</author>


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<title>Athens of the South: College Life in Nashville, A New South City, 1897-1917</title>
<link>http://digitalarchive.gsu.edu/history_diss/20</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/20</guid>
<pubDate>Tue, 13 Jul 2010 10:26:09 PDT</pubDate>
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	<p>The Progressive Era affected the South in different ways from other regions of the United States. Because Southern society was more entrenched in patriarchy and traditional social strictures, Nashville provides an excellent lens in which to assess the vision of a New South city. Known as “Athens of the South,” Nashville legitimized this title with the emergence of several colleges and universities of regional and national prominence in the 1880s and 1890s. In the first two decades of the twentieth century, Nashville’s universities solidified their status as reputable institutions, with Vanderbilt and Fisk Universities garnering national prominence. Within Nashville, local colleges, including Ward Belmont College, David Lipscomb University, Peabody College, Roger Williams University, and Meharry Medical College shaped and were shaped by the growing city. Higher education and urbanization created a dialectic that produced a new generation and a new monied class of young adults who thought and acted differently from their parents. Moreover, women became more active participants in public spheres because of opportunities provided by higher education. In most cases, Nashville’s women continued to use their husband’s prominence to earn greater success. In regard to race, the city’s African American colleges helped to produce men and women who formed the backbone of the rising black middle class and elite in the South. Nashville endured great change, formally beginning with the 1897 Tennessee Centennial Exposition, whereby the city’s trajectory followed a more modern approach, albeit southern style. Higher education played a large role in the direction of the city, both literally and figuratively. Shifts in attitude toward race, gender, and leisure combined to create a new youth culture. Young women and men socialized on and off campus through a variety of new forms of recreation. The experience of “college life” was more than attending classes but rather a fluid phase beginning with youthfulness and ending with adulthood. Social interaction increasingly became a major component of college life; the city of Nashville simply provided the stage. By U.S. entrance into World War I, Nashville had legitimized its position as a Southern urban center of entertainment and higher education.</p>

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<author>Mary Ellen Pethel</author>


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<title>The &quot;New Woman&quot; on the Stage: The Making of a Gendered Public Sphere in Interwar Iran and Egypt</title>
<link>http://digitalarchive.gsu.edu/history_diss/19</link>
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<pubDate>Tue, 13 Jul 2010 08:50:24 PDT</pubDate>
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	<p>During the interwar period in Iran and Egypt, local and regional manifestation of tajadod/al-jidida (modernity) as a “cultural identity crisis” created the nationalist image and practice of zan-e emrouzi-e shahri/al-mar’a al-jidida al-madani (the urban/secular “New Woman”). The dynamics of the process involved performance art, including the covert medium of journalism and the overt world of the performing arts of music, play, and cinema. The image of the “New Woman” as asl/al-asala (cultural authenticity) connected sonnat/al-sunna (tradition) with the global trends of modernism, linking pre-nineteenth century popular forms of performing arts to new genres, forms, and social experiences of the space of the performing arts. The subversive transnational character of performance art operated across borders to promote both the discourse of modern womanhood in-the-making among intellectuals, and the public practice of women’s presence among the masses. However, the trans-border effects of the medium were limited by local cultural and political ideologies of nationalism. The spectacle of women on the screen addressed national independence and the creation of a national film industry to resist the financial dominance of Europeans. In Iran, zan-e emrouzi-e shahri served the project of founding a modern nation-state, elevating of a culture of the city and urban development, and institutionalizing performing arts, mirroring the upholding of “male-guardianship.” In Egypt, in the absence of an authoritarian modern state and long-term experience of foreign occupations, al-mar’a al-jidida al-madani accompanied the traditional figure of bint al-balad (the countryside girl) to present modern advancements in film production with a traditional accent, to oppose European cultural values, to provide a tangible space for women’s multifaceted anti-colonial maneuvering, and to connect Egypt’s past history to its future. Performance art helped women to convey their cultural nationalism and a sense of imagined identity by letting them see and be seen by each other, create interactions between the artist and the audience, and emphasize music as the heart of a society’s culture and art. A culture of body performance, a female visual public sphere, and a feminine (and feminist) interpretation of cultural authenticity in performance art led women to claim the profession as a legitimate career.</p>

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<author>Fakhri Haghani</author>


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<title>Dubbing Modernization: The United States, France, and the Politics of Development in the Ivory Coast, 1946-1968</title>
<link>http://digitalarchive.gsu.edu/history_diss/18</link>
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<pubDate>Wed, 07 Jul 2010 12:46:59 PDT</pubDate>
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	<p>I argue that competing visions of development guided the interventions of the United States and France in the West African country of Ivory Coast during the late colonial and early independence periods from 1946 through the 1960s. Indeed, the postwar arrival of American modernity provided an opportunity for nationalist leaders to triangulate the relationship between metropolitan France and colonial Ivory Coast. The ensuing politics of triangulation forced French colonial officials, diplomats, and development experts to “dub” modernization in order to bolster (neo)colonial ties between France and the Ivory Coast. By dubbing I mean the effort to translate and adapt for French purposes development concepts and techniques first elaborated in the United States. I explore these issues in case histories of the port of Abidjan, Kossou dam, and San Pedro development projects. I highlight the discursive as well as institutional frameworks that shaped the development of Ivory Coast. In the early twentieth century, French colonialism’s mission civilisatrice and mise en valeur posited that the colonizers were rational and productive, while the colonized were backward and incompetent to exploit their natural resources. After the Second World War, the ascendant American modernization paradigm added a new level of valuation to colonialism’s moral economy. It proposed a dynamic and progressive teleology in which the colonized could become modernized and actually “work by themselves” to reproduce hegemonic U.S. technological, economic, and political norms. Modernization was a civilizing project as well, but in contrast French (neo)colonialism now appeared static and paternalistic. French attempts to recuperate their position in the Ivory Coast deployed the epistemic memories of decades of work in the colony but ironically involved promoting forms of regional planning pioneered by the Tennessee Valley Authority. To reach these insights, I have used an interdisciplinary historical methodology that is multiarchival and multisited. My dissertation is based on research in numerous French and American archives as well as oral histories with French and American actors who participated in the (post)colonial development drive in the Ivory Coast.</p>

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<author>Abou Bamba</author>


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<title>Removing Reds from the Old Red Scar: Maintaining and Industrial Peace in the East Tennessee Copper Basin from the Great War through the Second World War</title>
<link>http://digitalarchive.gsu.edu/history_diss/17</link>
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<pubDate>Wed, 09 Jun 2010 13:13:08 PDT</pubDate>
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	<p>This study considers industrial society and development in the East Tennessee Copper Basin from the 1890s through World War II; its main focus will be on the primary industrial concern, Tennessee Copper Company (TCC 1899), owned by the Lewisohn Group, New York. The study differs from other Appalachian scholarship in its assessment of New South industries generally overlooked. Wars and increased reliance on organic chemicals tied the basin to defense needs and agricultural advance. Locals understood the basin held expanding economic opportunities superior to those in the surrounding mountains and saw themselves as participants in the nation’s industrial and economic progress, and a vital part of its defense. The study upends earlier scholarship contending local industrial concerns acted proactively to challenges from farmers harmed by industrial pollution; investigation shows firms hesitated to initiate new production processes and manipulated local elections. Partisan developments woven amid all this underscore errors in assuming ancient regional affinity for Republicans. Confederate heritage gave Democrats an historic advantage that fractured before New Deal progressivism and expanding basin Republican power. Markets forced basin firms to merge and embrace technological change affecting working people’s relationships, forcing workers to improve skills or settle for low-skill jobs. Excepting TCC managers and supervisory staff, provincialism ruled; suspicions and competitiveness among workers grew as most miners lived a few scattered villages and most managers and craftsmen settled in the basin’s “Twin-cities” district. Early union efforts collapsed before union mismanagement, rational management and a company union based upon Sam Lewisohn’s ideals. Management managed to wrest control of its industrial relations despite the effects of Depression and the New Deal’s empowerment of workers. Workers’ infighting, reflecting neighborhood demographics and ideological differences, benefitted TCC; it convinced locals TCC could best protect industrial peace. The submissive AFL union installed fit of ownership’s nationally recognized program for industrial relations reliant on federal power. After competition crippled local industry, locals continued their reliance on government: to investigate the medical consequences of extraction work and coordinate environmental restoration. Recent regional anti-government populism makes the basin’s peculiar historic reliance on federal help engaging.</p>

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<author>William Ronald Simson</author>


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<title>The Nashville Civil Rights Movement: A Study of the Phenomenon of Intentional Leadership Development and its Consequences for Local Movements and the National Civil Rights Movement</title>
<link>http://digitalarchive.gsu.edu/history_diss/16</link>
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<pubDate>Wed, 09 Jun 2010 12:35:36 PDT</pubDate>
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	<p>The Nashville Civil Rights Movement was one of the most dynamic local movements of the early 1960s, producing the most capable student leaders of the period 1960 to 1965. Despite such a feat, the historical record has largely overlooked this phenomenon. What circumstances allowed Nashville to produce such a dynamic movement whose youth leadership of John Lewis, Diane Nash, Bernard LaFayette, and James Bevel had no parallel? How was this small cadre able to influence movement developments on local and a national level? In order to address these critical research questions, standard historical methods of inquiry will be employed. These include the use of secondary sources, primarily Civil Rights Movement histories and memoirs, scholarly articles, and dissertations and theses. The primary sources used include public lectures, articles from various periodicals, extant interviews, numerous manuscript collections, and a variety of audio and video recordings. No original interviews were conducted because of the availability of extensive high quality interviews. This dissertation will demonstrate that the Nashville Movement evolved out of the formation of independent Black churches and college that over time became the primary sites of resistance to racial discrimination, starting in the Nineteenth Century. By the late 1950s, Nashville’s Black college attracted the students who became the driving force of a local movement that quickly established itself at the forefront of the Civil Rights Movement. Nashville’s forefront status was due to an intentional leadership training program based upon nonviolence. As a result of the training, leaders had a profound impact upon nearly every major movement development up to 1965, including the sit-ins, the Freedom Rides, the March on Washington, the birth of SNCC, the emergence of Black Power, the direction of the SCLC after 1962, the thinking of Dr. Martin Luther King, Jr., the Birmingham campaign, and the Selma voting rights campaign. In addition, the Nashville activists helped eliminate fear as an obstacle to Black freedom. These activists also revealed new relationship dynamics between students and adults and merged nonviolent direct action with voter registration, a combination considered incompatible.</p>

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<author>Barry Everett Lee</author>


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<title>&quot;Our Good and Faithful Servant&quot;: James Moore Wayne and Georgia Unionism</title>
<link>http://digitalarchive.gsu.edu/history_diss/15</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/15</guid>
<pubDate>Wed, 02 Jun 2010 08:08:58 PDT</pubDate>
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	<p>Since the Civil War, historians have tried to understand why eleven southern states seceded from the Union to form a new nation, the Confederate States of America. What compelled the South to favor disunion over union? While enduring stereotypes perpetuated by the Myth of the Lost Cause cast most southerners of the antebellum era as ardent secessionists, not all southerners favored disunion. In addition, not all states were enthusiastic about the prospects of leaving one Union only to join another. Secession and disunion have helped shape the identity of the imagined South, but many Georgians opposed secession.  This dissertation examines the life of U.S. Supreme Court Justice James Moore Wayne (1790-1867), a staunch Unionist from Savannah, Georgia. Wayne remained on the U.S. Supreme Court during the American Civil War, and this study explores why he remained loyal to the Union when his home state joined the Confederacy. Examining the nature of Wayne’s Unionism opens many avenues of inquiry into the nature of Georgia’s attitudes toward union and disunion in the antebellum era. By exploring the political, economic and social dimensions of Georgia Unionism and long opposition to secession, this work will add to the growing list of studies of southern Unionists.</p>

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<author>Joel C. McMahon</author>


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<title>How a Country Treats its Own Nationals is No Longer a Matter of Exclusive Domestic Concern: A History of the Alien Tort Statute Litigations in the United States for Human Rights Violations Committed in Africa, 1980-2008</title>
<link>http://digitalarchive.gsu.edu/history_diss/14</link>
<guid isPermaLink="true">http://digitalarchive.gsu.edu/history_diss/14</guid>
<pubDate>Mon, 08 Feb 2010 17:04:50 PST</pubDate>
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	<p>International law today is a discipline rife with dissensions. This is largely because international law has meant different things to different generations of scholars and nation-states. In 1996 a United States circuit court in Atlanta affirmed a civil judgment against an Ethiopian defendant in an action initiated by Ethiopian citizens for violations of that country’s law and international law. But about a decade earlier in 1984 another appeal court denied to enforce claims against Libyan and Palestinian defendants under international law because according to the court, international law is dedicated exclusively to the relationship between independent states and not their citizens.  Although such different interpretations may appear startling, over the previous centuries, courts have eschewed one view while embracing the other. It is thus imperative to examine what constitutes international law or under what authority a U.S. court could challenge another state’s treatment of its own citizens, in its own land, under its own laws. The Judiciary Act of 1789 which created the Alien Tort Statute, a relatively obscure piece of legislation is at the center of these actions. But what was the original intent of the Alien Tort Statute? Is it possible to reconstruct the meaning of that statute?  To answer these questions, this dissertation critically interrogated the meaning of international law and the law of nations as it existed at the time of the founding of the United States. What was called the law of nations and subsequently international law revealed multiple meanings. In unpacking the history of the Alien Tort Statute, this dissonance was reflected in the conflicts which assailed the discipline. This dissertation therefore reproduces the dissensions as it analyzes and reconstructs a hitherto unexplored front in this debacle: lawsuits filed by some Africans in the United States under the Alien Tort Statute against their leaders and corporations for egregious human rights violations in Africa. In the end therefore, the issue becomes, can justice and reparations be achieved in United States courts for human rights violations committed in Africa?</p>

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<author>Harry Asa&apos;na Akoh</author>


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